Milos Djordjevic (1978, Former Yugoslavia) is a printmaker and interdisciplinary artist based in Belgrade, Serbia. He earned his BFA (2001), MFA (2007), and PhD (2022) in Printamking. His work has been presented in numerous international solo and group exhibitions. Djordjevic has participated in leading printmaking residencies and conferences worldwide, including IAPA in Beijing, the Latgale Graphic Art Symposium in Latvia, and IMPACT conferences across Europe and Asia. He has received multiple awards and recognition for his artistic achievements. His work has been featured in prominent journals such as Printmaking Today and Pressing Matters. Djodjevic has also curated and juried international exhibitions, including Prints and Impressions 2 in Ljubljana. His works are held in public collections, notably the China Printmaking Museum in Guanlan.

Depending on concept and context, my works range from intimate pieces to large-scale prints and wall installations. Rooted in the discourse of the Anthropocene, my art practice offers a critical perspective on contemporary society and the forces shaping its ecosystems. The works from the Sediments series explore traces, deposits, and the layered heritage of the Anthropocene, an epoch in which human activity has become the dominant force shaping the planet. Through a distinct visual language, the series challenges the paradigm of techno-centric progress and advocates for an ecologically sensitive perspective – one that recognizes the intrinsic value of all living beings and the interconnectedness of every form of life on Earth. By inviting critical reflection, these works emphasize the urgency of developing more sustainable models of coexistence between humanity and nature.