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Usra Shaikh Biography

Usra Shaikh is a Fine Artist and printmaker based in Hyderabad, Pakistan, renowned for her expertise in traditional techniques like line etching, aquatint, and mezzotint. Her intricate artwork is distinguished by a meticulous attention to detail and a focus on conveying emotions, sentiments, and mental states. Sheikh’s practice is rooted in a philosophy of mindfulness and contentment, valuing art’s transformative power to connect with others. Beyond printmaking, her skills encompass Experimental Printmaking, Drawing, Painting, and Paper Making. Holding a BFA with Distinction in Printmaking from SABSU (Former CEAD, 2015), she currently serves as a Lecturer at SABS University of Art, Design & Heritages, where she teaches drawing and advanced printmaking, facilitates experimental sessions, and mentors thesis students. Shaikh’s work has been exhibited both nationally and internationally, the Busan International Environmental Art Fest in South Korea in 2025. Notable exhibitions include the Arjumand Painting Award at Alhamra Art Center Lahore in 2023 ,Art fest Karachi at Sambara Art gallery 2022, Where the Indus flows at Koel Gallery (2019) , the Tokyo International Mini-Print Triennial in Japan (for which she received a certification ),and several shows such as, Unwriting thoughts at Indus Valley school gallery Karachi, New wave in Art scene Gallery, Karachi 2019, 2nd International Watercolor Biennale Cead, Jamshoro 2018, and the Emerging Talent show at VM Art Gallery (2017).

Biography
Through stark contrasts and expressive mark-making, I transform familiar scenes of nature into reflections of unfamiliar emotions. The dark, grounded silhouettes of the landscape act as visual anchors against the restless, swirling energy that moves across the surface, my emotional atmosphere made visible. Each mark captures the wind’s pulse, its fleeting echoes as it dissolves and reforms in brilliant, kinetic motion. In these works, form and fluid energy, light and shadow, exist in a vital dialogue, a moment where the external landscape merges with my internal one, both equally alive, both constantly in motion.